200EAST59
On thursday, May 16th, an event was held in the newest project of Macklowe Properties.
The company was founded in the mid-1960s by Harry Macklowe, a successful developer, owner, and manager of a wide range of real estate investments. Macklowe Properties’ latest project, a 35-story residential tower, the 200 East 59th street is located between Midtown and the Upper East Side. The development of these residential condominiums respected Macklowe Properties’ commitment to classical modernism. Each residence has a wrap-around terrace, creating a seamless transition between indoor and outdoor living spaces.
The developer Harry Macklowe collaborated with the interior designer Cyril Vergnol for the 22nd floor’s two model units.
Vergnol worked with three partners of Par Excellence for the decoration of these units. Jouffre, who works within the beautiful tradition of upholstery and French luxury, created the curtains for these New York apartments. Ozone, specializing in lighting design, has constructed the chandelier and many other lighting fixtures for the model flats. The exposed carpets were produced by, the Manufacture des Tapis de Bourgogne, a company which has designed and manufactured custom rugs, carpets, and tapestries (tufted and woven hand-made) in France since 1958. All our partners (Lison de Caunes, Les Ateliers Saint Jacques, Declercq, Meljac and the Marbreries de la Seine) were present in addition to the three partners who collaborated for the design of the apartment. This collaboration was an opportunity to invite all our partners and customers into this exceptional setting with a wonderful view of Central Park.
During this event, our partner was able to present its know-how to more than 150 guests. Par excellence wishes to thank them for their presence.
All in a good mood a flute of champagne in the hands and the sunset in the background.
Enjoy the photos of the event below.
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Declercq Passementiers, "c’est le pompon!"
Declercq Passementiers, a family home marked by the excellency. Jérôme Declercq and his sister Elisa embody the sixth generation of trimming manufacturer. Indeed, the house began in 1852 with their great grandparents who were settled on Quincampoix Street. Today rue Etienne Marcel houses the showroom while the creative workshop is located in Montreuil aux Lions.
The jewel of decoration
The term passementerie comes from the word “passement” which designates in decoration any ornament woven with threads. Geometries and colors that are infinitely different. The names are funny sometimes enigmatic as “bouffettes bouclées”, “trililis”, “claws”, “galons” or “cocorinettes”. These small elements ennoble the interiors and give them a final touch. Trimmings have an old-fashioned side but new things come to wake her up. Since the house is working on new techniques and new materials such as steel or fiber optics.
The know-how of a trade community
Because 80% of the items are entirely hand-made by specialized master craftsmen: the twister, the warper, the reel, etc. These work mainly with silk, gold (gold threads 24 carats), fibrane (commonly called “viscose”), cotton and wool. Prestigious places like the Elysée, the Palace of Versailles, the Opera Garnier, the Peninsula Hotel in Paris etc. are full of creations signed Declercq Passementiers. But many individuals around the world also make up his clientele. Declercq Passementiers is a Living Heritage Company (EPV). Margot, the daughter of Jerome Declercq, will eventually take over the reins of the family home.
Singular Signatures wishes him the same success as his predecessors.
Interview with Jérôme Declercq CEO of Declercq Passementiers
What made you want to go into the trimmings?
Jérôme Declercq: My desire goes back to childhood, when I accompanied my father. I spent a lot of time in the workshops, I watched the trimmers work, I ran between the trades. I have always loved this workshop atmosphere, the smell of materials, the soft “singing” of silk and the regular sound of looms. It is a particular universe, where beautiful things are played out. I like the human relationships that are created in a workshop. The virus took me very young, he never left. I like the idea of perpetuating know-how and this freedom to create.
It is an art recognized in France. Is it the same abroad?
Jérôme Declercq: I would say rather a craft, but yes, it is recognized throughout the world, even if it enjoys a special status in France because it is in France that trimmings have historically taken all its rise, and that the most beautiful pieces were created. In the world, trimmings symbolize an important part of the art of living “à la française”.
During this event, our partner was able to present its know-how to more than 150 guests. Par excellence wishes to thank them for their presence.
All in a good mood a flute of champagne in the hands and the sunset in the background.
Enjoy the photos of the event below.
You have joined Par Excellence, which promotes French talents in New York. What do you expect? Do you already have any benefits in this way? What kind of welcome did you receive in New York?
Jérôme Declercq: previously, we used distributors who sold our trimmings. Thanks to Par Excellence and the synergy it generates, we can promote our own brand and our identity Declercq Passementiers. We have been working for a long time with the United States (for example, we have made beautiful trimmings for the Frick Collection), and Americans are very fond of this kind of products. But with Par Excellence, we are developing our contacts with American decorators who are enthusiastic. This initiative of high-end French artisans is very well received by American customers, it is a guarantee of excellence and therefore a legitimacy for the partner brands. We have already achieved good projects, the prospects are good, and we are very motivated.
What challenge would you like to meet in 2019/2020?
Jérôme Declercq: I would like the success and the influence of Par Excellence to open a second pole on the West Coast: that’s a very nice challenge!
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Jouffre at Révélations 2019
Initiated by Ateliers d’Art de France since 2013, Révélations is the international fine craft and creation appointment not to be missed.
The 4th edition of the biennial took place from 22 to 26 May 2019 at the Grand Palais in Paris.
This year again, Jouffre was present to share the know-how of its craftsmen around a set of singular creations called Introspection.
The stall’s scenography, designed by the interior design duo Lally & Berger, highlighted a research and development project initiated three years ago by the upholsterer from Lyon.
With the help of prestigious partners, Jouffre has created “Introspection”, a collection of six pairs of unique curtains and sheers. Craftsmen, but also members from the office and the design studio, worked hand in hand to reinvent the way decorators think, design and manufacture window treatments.
Five fabric houses contributed to the project to showcase their fabrics; textile atelier Toyine Sellers Texture & Design, American company Rogers & Goffigon, British company Holland & Sherry and finally two Italians, Dedar Milano and Rubelli.
The leather used to make a curtain and some decorative elements come from the Turin-based manufacturer Foglizzo. The trimmings were hand-made by the century-old company Declercq Passementiers.
Finally, the decorative brass rods were manufactured by Gauthier & Cie and the solid oak rod by the English manufacturer Tillys.
In addition to this show, Jouffre organized a behind the scenes party in its Parisian showroom through an exhibition of photos and videos illustrating the realization of these creations. The materials, the different skills and the details of the production were highlighted, immersing the guests in the heart of Introspection.
Jouffre thanks all the partners who participated in this wonderful project as well as the interior designers Margaux Lally & Luc Berger for the scenography that made it possible to highlight all these creations.
Jouffre also thanks and congratulates each of the seamstresses and upholsterers who, thanks to their expertise, have perfectly crafted the six curtains in the collection as well as the two sofas on display at Révélations.
Jouffre finally would like to thank all the visitors who came to the stall in large numbers. The company’s employees are very happy to have welcomed you and to have had the opportunity to unveil Introspection.
Charles and his teams are proud to have been part of this prestigious event around the arts and crafts.
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ZOOM on MARTIN MASSÉ - ARCHITECTURE & DESIGN
Martin Massé is a young Parisian architect, graduated with honors from ESA and Penninghen.
He started his career in renowned agencies such as Tristan Auer, Wilmotte & Associates and Joseph Dirand Architecture for which he intervenes in particular in the design of his collection of furniture.
With his experiences in the luxury domain, he launched his own agency in 2018 and now is involved in projects ranging from architecture to interior design apartments and restaurants through the creation of high-end furniture.
It’s creative approach wavers between tradition and the ultra-contemporary displaying the exceptional know-how of French craftsmen.
His furniture collections which are sold in limited edition and product by Ateliers Saint Jacques in France express themselves through simple proportions and purified highlighted by materials skillfully selected.
The search for atmospheres and poetry is omnipresent in his work as a way of magnify everyday life through architecture and design.
contact:contact@martinmasse-architect.com
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Interview with Lison de Caunes, the Master of art in straw marquetry by Signatures Singulières
Interview with Lison de Caunes, the Master of art in straw marquetry
For Lison de Caunes, the straw marquetry is a childhood memory born in the workshop of his grandfather and master of Art Deco, decorator André Groult. She revolutionizes this technique by means of bookbinding tools such as this bone bender that never leaves it.
Signatures Singulières: What made you want to go into straw marquetry?
Lison de Caunes: straw marquetry has always been very present in my life thanks to my grandfather André Groult who introduced me to it. Indeed, I spent a lot of time in his studio. And then, I was surrounded by my parents objects and furniture in straw marquetry. When my grandfather died, I had the desire to restore his furniture. That’s how I started straw marquetry.
Signatures Singulières: It is an art recognized in France. Is it the same abroad?
Lison de Caunes: it’s a very French specialty since the 17th century. For a long time this art remained very confidential. But since about fifteen years and especially thanks to my work, the marquetry of straw has regained an interest with the public. It is now well known and fashionable in the United States, Russia and Europe.
Signatures Singulières: What kind of welcome did you receive in New York?
Lison de Caunes: I joined the American market thanks to Peter Marino. He was the first decorator to incorporate straw marquetry into his interiors. The revival for art deco also played a role in the enthusiasm found for this matter. And now for fifteen years many decorators have decided to work with my workshop and offer their customers straw marquetry.
Signatures Singulières: You have joined Par Excellence, which promotes French talents in New York. What do you expect? Do you already have benefits in this way?
Lison de Caunes: Despite the fact that we already have a lot of projects in the United States, it was important to have a place to be represented. It seemed all the more interesting because we are alongside talented artisans. They all contribute to show the excellence of French craftsmanship. We decided to embark on this adventure to expand our repertoire and meet new decorators. We have already had a big project with Drake / Anderson which is a direct result of our presence at the showroom Par Excellence.
Signatures Singulières: What challenge would you like to meet in 2019?
Lison de Caunes: my challenge for 2019 is to continue to innovate and modernize this material to show the infinite and unexpected possibilities of straw marquetry. We are currently working in association with other craftsmen to combine our know-how and to always present novelties.
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Interview with Donna Glubo-Schwartz
This week we would like to introduce one of our favorite women on Instagram. She is doing incredible work, which looks like it could be from another universe. We interviewed her about her life, her work and her passions. Introducing: Donna Glubo-Schwartz.
With this interview we also start a new section on our news page, in which we would like to show you new and interesting accounts, pictures and impressions of Instagrams world of interior design. Come and join us to explore the variety of art and design, starting with 3 dimensional sculptured fabrics.
Thank you very much Donna for doing this interview with us. We have been following you on Instagram for a while now and are always amazed by your pictures of these colorful fabric sculptures. First, I would like to know “Who is Donna Glubo-Schwartz?”.
I am from New York, currently living in Fort Lee, NJ with a studio that overlooks the Hudson River. I studied fiber arts, sculpture, painting and most influentially Color Theory at the School of the Art Institute of Chicago, Illinois. One semester, I took a class in Shibori, a Japanese resist dye technique and I experimented with the general intention of the processes and adapted it to gain a more dimensional result. My study of color has also informed my work.
Oh nice! That sounds fun! So, how did you became a designer? How did the idea of doing the pieces, on your instagram referenced as “3 dimensional sculptural fabrics”, how did that start?
Since graduating, I formed my own fabric company Spatial Element. I developed the concept of having my pleated fabric laminated in glass. The technology was not available when I first developed the idea, so I had it cast in clear resin. It was juried into Material Connexion, a materials resource library, as a new material. A new glass company, Livinglass, Inc. developed the process of laminating dimensional materials in glass, and found my work through Material Connexion. Since then we have been working together (starting 2004) and have completed many projects both domestically and internationally.
Amazing! And how do you install your sculptures, because it should be used as decoration in rooms right?
Yes, exactly. For example my newest work, Twisted Objects, are made with the intention of mounting them on a wall, either attached to a canvas or directly to the wall. I envision grouping multiple pieces for a full installation in a grid pattern or if directly hung, in different forms and shapes.
Okay, and are those sculptures the only thing you are working on at the moment? Or is there something else? What would you say is your main focus?
My focus is with the 3 dimensional fabrics, either with the Twisted Object series or with Livinglass, Inc. for laminated glass for my Kimono and Halo series of glass. The laminated glass has been used in multiple projects installed anywhere from Hotels, Airports, Casinos, Health Care, Residential, Restaurants, and Corporate venues .
And do other designers do the same? Do you know anyone working in this way?
Not exactly. Although there are other fiber artist that use more traditional shibori techniques, I do have my own unique interpretation.
Okay, nice. Now we have already talked a bit about your pieces. Can you tell me something about how you are making them? On your Instagram, you explain that everything is handmade and one of a kind. It must be very special to craft such pieces.
My technique includes multiple degrees of folding and crimping the fabric. It can involve one or two color combinations to complete the second part of the process. When completed, I manipulate the fabric to create its form, then sewing it in place. I came to this process through years of experimentation, research and development. It can take anywhere from two days to a week or more to complete a piece or series of pieces.
Wow, a week is quite a long time! How does it work if someone would like to order your work? How do you ship and manage the whole process?
I would work directly with designers to determine color and size and overall desired result. Although I plan on offering specific sizes: 20” by 20” and 12” by 12”, I can do custom work in color and size. You can order directly through my site. Designers can direct message me for custom work. Each piece will be specially packed for shipping through FedEX.
Alright, my last question is, which projects have you worked on so far, or further more what clients have you worked with? Also, which rooms do you think are best homes for your bespoke creations?
I have worked most successfully with the Interior Design industry. Hospitality projects are the most receptive to color and experimentation. I can see the Twisted Objects, which can be made in any size, as feature walls for hotel lobbies, reception area, restaurants, airport lounges, etc. I have completed projects for Delta Airlines including LAX, San Francisco, Seattle, and Atlanta. Other projects in Las Vegas include McCarran International Airport, Aria City Center Las Vegas, Red Rock Resort and Casino, Mirage Hotel and more. In New York, for example, you can see my work at the Shoreham Hotel on West 55th.
Oh nice! I think I am gonna check this out then! Very cool. Well, that’s all for now! Thank you very much Donna, for answering all my questions.
You are very welcome! Thank you very much for having me for this interview!
If you are interested in Donna´s pieces, check them out at her Instagram page here or you can also contact her via email or phone, to order your very own special 3D sculptured fabric.
Mail: donna@spatialelement.com
Phone: 917.701.9134
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Trends of 2019
We searched down the internet to explore the future design trends of the new year 2019, and we found some interesting statements of different designers. We know that is all supposition, because in the end design is art and art has its own living life and behavior. But to know what some of the best designers would like to create and what not, is a very good start to see where 2019 is leading regarding interior design and decor arts. So here are 5 IN’s and OUT’s for 2019:
- Main-Content Credit: ELLE DECOR
- Pictures: Pinterest
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“Collection Illuminations” by M. Lehanneur
Each year, French Architectural Digest magazine organizes “AD Intérieurs” exhibition in Paris, France. This displays of the salon are done by by famous interior designers and young talents in the parisian heritage monument.
With the theme “Rough and Precious”, the exhibition’s 9th edition invites visitors to visit the Hotel de la Bûcherie from September 5th to 23rd and discover the interiors imagined by the 15 interior designers who were selected by the AD magazine editorial board.
On the second floor of this parisian historical monument, Hotel de la Bûcherie Mathieu Lehanneur collaborated and invited Par Excellence partners to conceive an immaculate meditation room. For the very first time the French designer entrusted all our partners to fabricate a collection of furniture, which will be soon seen in New York.
Each of our partners has made an incredible contribution
Jouffre
Lison de Caunes
Ateliers Saint-Jacques
Declercq Passementiers
Manufacture tapis de Bourgogne
Les Marbreries de la Seine
Meljac
Ozone
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Kips Bay Decorator Show House
Each spring, well-known interior designers transform a luxury Manhattan apartment on Upper East Side into an exhibition that’s called Kips Bay Decorator Show House. This project began back in 1973 when the Kips Bay Boys & Girls Club launched it as a fundraiser for New York City children.
This year’s show takes place at 110 East 76th Street, in a seven-level townhouse. The most outstanding features of this estate are its spiral staircase, lots of windows and high ceilings. The project is a high-profile showcase with both young and experienced designers and some of the field’s top brands. More than 20 interior designers put their stamp on the mansion’s rooms that go from classic to colorfully modern.
One of the rooms shows a magnificent salon and bar in a yellow hue. Caleb Anderson and Jamie Drake designed this space with the goal of creating a grand but also intimate living room. It is a combination of modernism and classicism. The salon has deep gold upholstered walls by none other than Jouffre, our Partner in upholstery, window treatment and stretched wall fabrics, with hand-sewn beads by Ankasa. Jouffre also did this wonderful sofa which seems flawless due to its rounded and smooth shape.
During the whole month of May 2018, the house is open to visitors, with all proceeds benefiting the Kips Bay Boys & Girls Club. Don’t miss your chance!
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"Stereotomy 2.0"
On April 20th, Par Excellence hosted the opening of the event “Stereotomy 2.0“. The exhibition was in collaboration with NYIT School of Architecture and Design and showed prototypes of stone architecture from ancient stereotomic construction systems to the most modern stone experiments for architecture and interior design.
From April 20th to April 29th, Par Excellence exhibited a proposal for constant stress arches constructed from voussoirs (building blocks) that were 3D printed using binder jetting technology. The exhibition was co-edited by Giuseppe Fallacara, associate professor at the Polytechnic of Bari and visiting professor at NYIT, and boasted an amazing line-up, including entries from ZHA Code, p.ART and AKT II, the Block Research Group etc.
One of the most outstanding pieces was the Lapella stone lounge chair from Zaha Hadid Architects, ZHA Code, AKT II, New Fundamentals Research Group and Generelli SA. The chair is made out of unique Palissandro Classico marble and carbon fiber, and is a reinterpretation of the iconic 1963 design by Hans J. Wegner.